Bury the Ghost

album

Bury The Ghost

Elisabeth Cutler

1. Paper Scissors Stone
2. Black Diamonds
3. Where Have I Been
4. The Curse of Eve
5. Backfire
6. All I Need To Know
7. How Deep is the Well
8. Squam
9. Feeling Our Way (In the Dark)
10. Fight of Flight
11. I Wish
12. The Last Mile

Elisabeth’s songwriting deepens and takes risks on her sophomore (2nd) album. Includes timeless perennial favorites: Where Have I Been, Fight or Flight, and How Deep is the Well. Marked with the indelible electric guitar by Larry Chaney, the bass grooves of Don Kerce and Alison Prestwood, drums by Waldo LaTowsky. Produced by Johnny Pierce and released by Rain Records.


 

The thing about some journeys is that you don’t know where you’re going until you get there. And sometimes, the experience of getting there is the key to the whole destination. The music of Elisabeth Cutler is like that; consider the 12 songs on her new album Bury The Ghost to be some unforgettable observations made along the way.

In music today, female singer/songwriters can invariably (and unfairly) be categorized as “folkies.” And while most will proudly admit to being creative descendants of Joni Mitchell, many are blazing singular paths that have not only left the term “folk” behind, but made the “female” label a secondary factor as well. Today, the genre supports and celebrates such powerful and diverse artists as Ani DeFranco, Sarah McLachlan or Tori Amos who explore the introspective balance between bitterness and beauty. And while Bury The Ghost places Elisabeth Cutler firmly in these ranks, her music continues to proudly defy any standard categorization. More than simply a new collection of Elisabeth’s songs, the album presents an intelligence and literacy that makes the music a searingly personal experience. And so the journey begins.

For Elisabeth, the getting there has provided its own uniquely diverse treasures. A native of Boston, she studied at the Berklee College of Music yet soon surrendered to the wanderlust unique to the souls of all artists. In what she’s jokingly described as a “hands-on approach to life,” her travels have led her to write, study, and experience across America, from restoration work of the City Hall in Coeur d’Alene, Idaho, to repairing tubas and flutes in Seattle, to activist work with the American Indian Movement throughout the Pacific Northwest, to a residency in the artist community of Santa Fe. It was in Santa Fe that Elisabeth fell in with the local R&B and Rock scene, where local players had their “folkie” perceptions kicked firmly in the ass by a woman who could rock the funk with intelligence, intensity and a uniquely stunning passion. Powerful performances, strong reviews, extensive local radio airplay and a burgeoning song catalog began to lead her in new directions, from festivals like Kerrville (where she was named a New Folk Finalist), to New York City’s legendary Bitter End and CBGB’s Gallery, to a stint playing guitar with Charles Neville of The Neville Brothers at the New Orleans Jazz and Heritage Festival. In 1988, Elisabeth settled in the creative community of Nashville, an often surprisingly paradoxical town that supports both snicker-worthy Country-Pop as well as some of the most vital songwriters and players in music today. It is here that Cutler began the collaborative recording process that resulted in her 1993 self-titled debut album, which was acclaimed as the most haunting record we1ve heard in quite a while by CMJ. Following a national tour to promote the album, Elisabeth began a new chapter in her musical evolution, which has given life and sound in Bury The Ghost.

“It’s the unsaid things that interest me” says Elisabeth, “exploring the negative space. I’m interested in subtle complexity and diversions…within a format and with a hook.” The 12 songs on Bury The Ghost present unforgettable characters and unsaid emotions with scorching insight, wicked humor and yes, a plethora of killer hooks. The music itself explores unique harmonies, rhythms and instrumentation that give Elisabeth’s powerful lyrics an edge that can range from warmly comforting to urgently confrontational. “It’s about a balancing act between the cerebral and the letting go” she explains. “Making Bury The Ghost, I confronted and buried a number of old fears. But fear, like a ghost, can’t be buried – it will keep coming back to haunt you. It becomes a daily process of blazing and re-blazing trails through the obstacles, self created or otherwise.”

Bury The Ghost was recorded on 24 track analog at producer (and frequent co-writer) Johnny Pierce’s studio, located on the outer fringes of Nashville. There, her new songs truly evolved. “I methodically taste every morsel, tweak every word, question every chord she says. Then I check the balance, draw the line, worry far too much and attempt to perfect the possible. Then, finally, I let it all go, and brought it all to life.” And while Elisabeth found the songwriting and recording to be the precious core of the creative process, her live performances still carry the powerful impact of creative re-birth. “Performing is the re-creation” she explains, “I feel so deeply connected to these songs that I’m compelled to sing them with a renewed sense of vitality and purpose for every performance. I can relate back to the place where the song was originally created, and the songs become my link back to that place. During a performance, I can only hope that a listener will translate my songs to their own life for their own personal connection.”

The artist is Elisabeth Cutler. The album is Bury The Ghost. The journey is now yours to take.

Band members:
Elisabeth Cutler
Larry Chaney
Don Kerce
Waldo LaTowsky
Jill Grossman
Johnny Pierce
Kristin Wilkinson
Alison Prestwood
Dave Hoffner
Howard Laravea

(c) & (p) 1996 Hole in the Donut Music (BMI)
(c) & (p) 1996 Cedar Song Publishing (BMI)

 

Paper Scissors Stone | Black Diamonds | Where Have I Been | The Curse of Eve | Backfire | All I Need To Know | How Deep is the Well | Squam | Feeling Our Way (In the Dark) | Fight of Flight | I Wish | The Last Mile

 

Paper Scissors Stone

A close call
Face to face
Anything could happen to me today

Catch my breath
Lost my job
I’m sittin’ on the trigger of a shooting star
I don’t know should I laugh or cry
Tell me a joke or a lie

It’s okay
Life’s a chance
I’m gonna push my luck
Out to the unknown
Chase the wind
Learn the dance
Try to win the rose
Paper scissors stone

Sour grapes
Chocolate hearts
I’m standing in the middle with a wild card

It’s okay
Life’s a chance
I’m gonna push my luck
Out to the unknown
Chase the wind
Learn the dance
Try to win the rose
Paper scissors stone

I don’t know should I laugh or cry
Take the bus or fly

It’s okay
Life’s a chance
I’m gonna push my luck
Out to the unknown
Chase the wind
Learn the dance
Try to win the rose
Paper scissors stone

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Black Diamonds

Tracing the miles with a finger over the map
The rivers are blue, the roads never show where I’m at
There’s a promise in my hand
That pulls me over the land
That’s the price of black diamonds

Running up dark back streets, fighting for sleep
Whispering numbers and names, the twist in the sheet
There’s a reason why I run
Can’t tell if it’s to or from
That’s the price of black diamonds
That’s the dream of black diamonds

A voice on the line feeds your hunger
The taste of ambition is sweet
How far would you go for the glitter
The power and the greed

Sailing the empty blue water, searching the wild
Breathing in the rain and drinking the wind from the sky
It’s the roll of the waves
To a light that forever fades
That’s the price of black diamonds
That’s the dream of black diamonds

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Where Have I Been

I listen to him speak to me
Seduce me tell me a story
I need to hear a voice so strong
I’m ready to believe anything

I can see the planets spin when he
Tells me all the things he’s seen
Behind these windows and walls
The rest of the world must be heaven

Where have I beenWhere am I going
It’s been so lonely with only me
Where have I been

He doesn’t care what I think of him
He speaks so free he’s crazy
If only I could believe in me
I’d understand what I’m feeling

Where have I been
Where am I going
It’s been so lonely with only me
Where have I been

I’m fighting gravity
And all this time’s right in front of me

Where have I been
Where am I going
It’s been so lonely with only me
Where have I been
Where have I been

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 The Curse of Eve

He looked so real walkin’ in the rain through town
He was so sorry sayin’ he’d broken down
She had a soft heart he got what he asked for
She learned the hard way to remember a face
And don’t trust anyone again
Don’t trying to save a drowning man

What makes a man lie for the devil
He knows a woman wants to be an angel
It’s her nature the joy of surrender
The mark of Cain sees the curse of Eve
She’ll trust someone again
The apple’s in the devil’s hand

She blames herself but she can’t help
Lovin’ the danger in a fallen angel

He gave his word he’d be back by morning
If I were her I’d still be waiting
Like a young bride believes the first lie
Love is stronger than all her anger
She’ll try to trust again
The face of another man
The curse of Eve is on her hands

He’ll come to her again
She wants to give a damn
The curse of Eve in every woman

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 Backfire

Built with tears of anger
Behind the walls we make
Everything so perfect
Sterilized and safe
The best laid plan, the sane go mad
It’s all gonna backfire

Criticize in secret
Sacrifice the heart
Calculate the future
Compromise the art
The solid deal, what seems real
It’s all gonna backfire

I see myself in your eyes
Reflections I don’t like
Controlling all emotion
Living for the fight
The endless hours, the taste for power
It’s all gonna backfire

Don’t look down, you can’t turn back
The water’s deep as the desert’s dry
No one needs you on your own
The river’s low as the price is high

I listen to myself
Sounding like your voice
I might be just like you
If I had the choice

So bury the ghost
Pray and roll the dice
Find yourself a savior
To bring you back to life
The open hand, the perfect end
It’s all gonna backfire
It’s all gonna backfire

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 All I Need to Know

A broken promise on the floor
No one cares anymore
How could love disappear
Did you ever really care
That’s all I need to know

I found beauty in your strength
From your arms I escaped
Tears of joy, tears of pain
Did you feel anything
That’s all I need to know

Don’t talk to me ‘bout what’s already been
I finally see I’ll never go back again
That’s all I need to know

Secrets run dark and deep
Down a river inside me
You walked out, I fell in
Will I ever love again
That’s all I need to know

Don’t talk to me ‘bout what’s already been
I finally see I’ll never go back again
That’s all I need to know

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How Deep is the Well

Don’t look out, don’t talk back
You don’t need to know
All is safe, always do
What you’re told

Why should I prove to you

Leaving home sixteen years old
Breaking all the rules
On the edge out of range
A different view

I wanna see for myself
I gotta know how deep is the well

Don’t tell me there’s nothing left
No more sights unseen
Ancient veins in the earth
Run through me

I wanna see for myself
I gotta know how deep is the well
I’ll believe for myself
How deep is the well

Music swims in me
Changing key around me

I wanna see for myself
I gotta know how deep is the well
I have dreams I’ll never tell
No one knows how deep is the well
I’ll never know how deep is the well
How deep is the well

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Squam

(instrumental)


 

Feeling Our Way in the Dark

Here I am without you
Fighting with myself
Is it me or you or just the wind
I can’t tell

You and I we know now
There’s no need to yell
We’ve never been this far before
We scare ourselves

Even after all this time
Love’s still blind

It’s a long slow road
So good and so far
We make it up as we go
Feeling our way
Feeling our way in the dark
Feeling our way in the dark

In the rain a lonely night
Whispers in the air
Even though I can’t see you
I know you’re there

Why would I want to change
The love we’ve made

It’s a long slow road
So good and so far
We make it up as we go
Feeling our way
Feeling our way in the dark
Feeling our way in the dark

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Fight or Flight

Too much time taken up talking about yourself
Don’t you think it would be great to be someone else
What’s wrong with the world you wished for
Do you still want more

Money and power every desire born from fear
You fight for peace but you can’t feel when love is near
Your heart it’s all you got
Like a clock it could stop

Do you want to be a child again
Do you want to feel everything
The first breath to the last embrace
It’s worth the risk, how did it come to this
Fight or flight

Up the ladder the bigger the better that’s what they say
I am the fool in the moon come to carry you away
We’ll sing to the stars above
We’ll sing for love

Do you want to be a child again
Do you want to feel everything
The first breath to the last embrace
It’s worth the risk, how did it come to this
Fight or flight

We’ll sing to the stars above
We’ll sing for love

Do you want to be a child again
Do you want to feel everything
The first breath to the last embrace
It’s worth the risk, how did it come to this
Fight or flight
Fight or Flight

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I Wish

I should say something speak up for myself
Tell you how I feel
I want to be sure our love’s still there
I guess I worry too much
Is it all in my mind
I’m afraid of what I might find

I wish I wish I didn’t care so much
Oh why am I so scared
Oh I wish I wish I didn’t need you so much
Oh why do I care

You walk away when I get close
Was it something I said
I see it all through a poet’s eyes
An’ taste the bittersweetness
Am I making this all up
I depend on your love

I wish I wish I didn’t care so much
Oh why am I so scared
Oh I wish I wish I didn’t need you so much
Oh why do I care
Should I just close my eyes
And pretend it’s alright

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The Last Mile

My eyes are liquid blue
The sound of my voice bleeds through
The closer I get to the edge

Windows and signs
The never-ending last mile
Pearls that fall from my hand
I don’t know if I will know when it’s over
Or when to begin

Toss fear to the fire
The raveling of guilt unwinds
I’m not gonna worry anymore

Circles and lines
A river of dreams in my mind
Constantly pointing me home
I’m so close how will I know when it’s over
With so far to go

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– Smart refined acoustic pop… the point of view is all her own. modern pop music… — The Nashville Scene

– Warmhearted vocals and well-constructed songs. — Dirty Linen

– She writes songs that offer intelligent, introspective peeks through a multi-colored musical glass… — Music Row Magazine

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